Big Truths About Little China
Examining the various themes within the classic 80s movie Big Trouble in Little China
Read this first if you have not already and then hop back over here for my commentary.
Summary of Librarian’s Points:
A Bildungsroman in Disguise
While not instantly recognizable as a Bildungsroman, "Big Trouble in Little China" subtly explores the core themes and narrative arc of this genre. Let's delve into how the film fits the Bildungsroman mold:
The Unprepared Hero:
Jack Burton, despite his bravado and truck-driving prowess, is thrown into a world of magic and mythology vastly exceeding his understanding. He lacks the knowledge and skills to navigate this unfamiliar realm, making him a classic "bildungsroman" protagonist embarking on a journey of self-discovery.
Confronting Inner Demons:
Jack's journey is not just external; it also involves facing his own limitations and confronting his inner demons. He initially appears as a boisterous, self-assured individual, but his encounters with the mystical forces reveal underlying anxieties and vulnerabilities. He must overcome these internal challenges to become a truly capable hero.
Transformation and Maturity:
By the film's end, Jack has undergone a significant transformation. He has learned to adapt to the fantastical world, overcome his initial fear and doubt, and embrace his responsibility as a hero. He emerges as a more mature and self-aware individual, having gained valuable knowledge and insights through his journey.
The Incomplete Journey:
While Jack attains a certain level of maturity and understanding, his journey is ultimately incomplete. The film leaves his future open-ended, hinting at further challenges and potential growth ahead. This ambiguity reflects the ongoing nature of the Bildungsroman protagonist's journey, forever evolving and seeking new knowledge and experiences.
Beyond the Traditional Bildungsroman:
"Big Trouble in Little China" also adds a unique twist to the traditional Bildungsroman narrative:
Humor and Action:
The film blends the self-discovery and introspection of the Bildungsroman with elements of action and humor. This creates a dynamic and entertaining experience, making the exploration of Jack's journey engaging and accessible to a wider audience.
Fusion of Genres:
The film's hybrid nature, combining elements of fantasy, martial arts, and Western genres, reflects the protagonist's own journey through a diverse and unexpected landscape. This adds depth and complexity to the Bildungsroman narrative, pushing the boundaries of the genre.
Commentary on Masculinity:
Jack's character presents a nuanced portrayal of masculinity. He is initially depicted as a tough, independent man, but the film also reveals his vulnerabilities and emotional depth. This challenges conventional ideas of masculinity and promotes a more multifaceted understanding of male identity.
Dark Prolateria
Immediately upon watching the movie, one cannot help but observe that its main setting predominantly unfolds in dimly lit pathways, untidy hidden chambers, and gloomy residential units. These locations stand in stark contrast to the glamorous, idealized depiction of Chinatown often portrayed in the media. Instead, the film deliberately highlights the rarely showcased environments where the blue-collar community resides and labors. This is the heart of Chinatown.
Jack Burton, the protagonist of the story, is depicted as an average truck driver hailing from a humble background.It is important to note that unlike the typical depiction of a protagonist as a wealthy magnate or a dominant figure, Jack is an embodiment of the everyday man, who finds himself amidst extraordinary events. Much like Jack, the other characters engaged in these captivating supernatural battles are also ordinary individuals residing in the heart of the working class. Amongst them are shopkeepers, restaurant workers, and various other members who contribute to society by toiling diligently in their respective professions.
Aside from the fantastical mystic storytelling if one looks deeper you can clearly see that the movie delves into profound concepts surrounding economic disparity, fierce battles for control, and the unfair treatment of the working class by those who possess greater affluence and authority. Within the film, the antagonistic elements are frequently intertwined with wealth and privilege, whereas the protagonists arise from those who ardently champion the oppressed and marginalized individuals of society.
A Tale of Two Working Class Heroes
Jack Burton, the epitome of a typical American blue-collar worker, exemplifies a robust sense of self-reliance deeply ingrained in the principles of liberty, autonomy, and an inclination towards direct physical confrontations. Although his impulsive nature may often result in comical missteps, his unyielding moral integrity and steadfast dedication to safeguarding the vulnerable testify to his authentic heroic nature.
His upbringing within the working class molds his viewpoint and propels his endeavors, establishing a profound bond with the hardships faced by the average citizenry.
Wang Chi, the clever and astute partner of Jack, exhibits a striking distinction. Through his composed composure and profound comprehension of Chinese culture and mythology, he offers the much-needed equilibrium to counterbalance Jack's impulsive nature. Wang Chi's unwavering determination to save his beloved fiancée, Miao Yin, from the clutches of the wicked Lo Pan, showcases his modest heroism. Although he may appear unpretentious, Wang Chi's resourcefulness and extensive knowledge emerge as indispensable assets in their battle against otherworldly powers.
Although Jack and Wang Chi have distinct personalities, they both possess a remarkable sense of heroism. They are not hesitant to jeopardize their own safety in order to stand up for justice and shield the defenseless. This common purpose nurtures a profound friendship between them, which is constructed upon mutual admiration, dependence, and a touch of amicable competition. By complementing each other's abilities and embracing their individual viewpoints, they are capable of conquering obstacles that would otherwise be insurmountable if faced individually.
Additionally, the film benefits from the compelling portrayal of Jack and Wang Chi, individuals who hail from diverse cultural backgrounds. While Jack embodies the core principles of American values, Wang Chi is deeply connected to his Chinese heritage and traditions. This stark contrast in their upbringings and beliefs serves to enhance the film's profound examination of identity, assimilation, and the inevitable clashes that arise when different cultures meet. As the story unfolds, the interactions and differing perspectives between Jack and Wang Chi shed light on the intricate dynamics that exist within immigrant communities. This nuanced exploration adds another layer of depth to the film, reinforcing its thematic richness and thought-provoking nature.
Both Jack and Wang Chi exemplify the epitome of the hardworking blue-collar individuals, bravely encountering the trials and tribulations that life imposes upon them due to their economic and social circumstances. This commonality in their backgrounds not only nurtures a deep bond of companionship but also cultivates a profound comprehension of one another's vulnerabilities, resulting in an extraordinary ability to complement and make up for each other's limitations.
Wang Chi's astute ability to strategically analyze situations and deep understanding of diverse cultures serve as a perfect foil to Jack's impulsive nature and fearless vigor. The synergistic blend of these distinctive attributes becomes pivotal in their relentless confrontations against the formidable forces of Lo Pan.
Lo Pan, a power-hungry individual with a dictatorial personality, thrives on exerting control over others, specifically the prolateria. However, his utmost fear lies in the possibility of this group overcoming their differences and uniting against him.
As to the issue of race, the movie delves deeply into the working-class origins of both Jack and Wang Chi, surpassing any cultural disparities and cultivating a profound sense of camaraderie. These two individuals are presented as regular individuals who find themselves caught up in exceptional situations, and their shared hardships unite them against a mutual adversary.
The underlying theme of class emphasizes that although racial background holds significance, it does not singularly dictate an individual's journey or perspective on life. These depictions bravely defy the usual stereotype of Asians portrayed as passive individuals and instead, present a more favorable and inspiring portrayal. An so we see that the characters in the dark prolateria work together to fight a big enemy more powerful than them individually.
The Anarch
In his writings, Ernst Jünger employed the term "anarch1" to denote a concept that goes beyond the customary interpretation of an individual aimed at eliminating all governmental and authoritative systems. Rather, he conceived of a multifaceted and intricate persona, a person who is a "master of himself" and exists beyond the confines of established social structures and ideologies. Sovereignty and self-mastery lie at the heart of the Jungian anarchist's identity, showcasing their unwavering ability to rely on themselves and their unparalleled sense of independence. These individuals recognize no higher authority than their own, deriving their power and influence from within. Rather than conforming to societal conventions or conforming to the expectations imposed by others, they bravely venture to create their unique journey and establish their own belief system.
Neutrality Towards Authority: Although not actively inclined to dismantle authority, the Jungian anarchist maintains a sense of detachment towards its existence. They find satisfaction in functioning within established systems as long as it aligns with their personal objectives; however, they do not possess an inherent admiration or allegiance towards individuals in positions of power.
Internal Rebellion and Resistance: In spite of appearing to conform outwardly, the Jungian anarchist possesses a deep-seated inclination towards internal rebellion. Although they may comply with external codes and guidelines, their inner essence remains unbounded and exhibits a strong refusal to be subjected to any form of authority or manipulation.
The audacious individual who fervently challenges and opposes the established social norms, willingly forsaking societal expectations in order to pursue their own deeply ingrained principles and values.
Jack Burton showcases an exceptional level of autonomy and self-sufficiency. He doesn't depend on anyone else for direction and instead prefers to tackle challenges using his own methods and strategies. This attribute is evident through his ability to find clever solutions, his unwavering ability to bounce back from hardships, and his steadfast resolve in achieving his goals. Jack is not actively involved in plotting the downfall of authority figures, but he also doesn't hold them in high regard. He only engages with them when it benefits him personally and isn't afraid to question their authority if it goes against his own values or beliefs. This attitude is clearly seen in his interactions with both the police and the influential leaders in Chinatown.
When it comes to his mindset, Jack is more grounded in practical matters rather than abstract theories or large-scale political movements. He prefers to confront immediate and tangible issues directly rather than getting caught up in philosophical discussions. This practical approach is evident in how he deals with the supernatural threats that arise throughout the course of the film.
Jack Burton: Just remember what ol’ Jack Burton does when the earth quakes, and the poison arrows fall from the sky, and the pillars of Heaven shake. Yeah, Jack Burton just looks that big ol’ storm right square in the eye and he says, “Give me your best shot, pal. I can take it.
Contrast this with Lo Pan. In his quest to rid himself of a curse and return to his original human form, Lo Pan finds himself with an aging and dilapidated physical vessel, bestowed upon him by divine intervention and fervent supplication to the gods. However, in order to permanently break free from the shackles of this curse, an intricate plan unfolds before him. He must seek out a woman whose eyes possess a mesmerizing shade of green, for it is through the act of marrying her that he will please Ching Dai, the mighty deity reigning over the eastern realm. Nevertheless, circumstances become increasingly complex as the Emperor's desires make their way into the equation, demanding a significant sacrifice.
Despite being all powerful the anarch character of Jack is the most free of all characters. Free of obligations, free of most attachments, and only Jack’s convictions to guide him.
Although the film depicts economic hardship, it goes beyond solely materialistic concerns by emphasizing the importance of finding significance and genuineness in life. The characters' motivations extend beyond mere wealth and possessions; instead, they are driven by a profound yearning for meaning, human connections, and personal fulfillment. The movie effectively portrays the idea that the quest for purpose in life is a personal and distinctive experience for everyone.
Wang Chi discovers fulfillment by safeguarding his loved ones and the society he belongs to, whereas Jack Burton uncovers his purpose by embracing his thrill-seeking nature and embarking on a voyage of his own. This aspect emphasizes the significance of individuals venturing into their own pursuits and uncovering their true selves. Everyone comes together to fight the evil that pits them against each other and through this the dark prolateria is in some ways alleviated.
Other Interesting Factors
So here are my expanded thoughts on the film and the themes I noticed.
Tongs
Oddly enough, I watched this movie as it came out in the 80s. That’s when I was just a kid. Growing up in a small white town I really did not understand what the Tong gangs were about in this film until years later when I watched a documentary on Tongs.
Before Lo Pan rose to power, the Lo Pan Tong played a crucial role in the lives of Chinese immigrants, offering them solace, assistance, and protection in their new land. This association became a beacon of hope for the immigrants, who relied on its support to navigate the challenges of a foreign country. However, tragedy struck with the demise of Lo Pan's father, causing the organization to crumble under the weight of internal conflicts and corrupt practices. Consequently, it devolved into a mere tool for Lo Pan to execute his devious schemes, betraying its original purpose.
This profound transformation mirrors the inherent struggles faced by immigrant communities worldwide. These individuals find themselves torn between their desire to preserve their cultural roots and the need to assimilate into the new society they have come to call home. This internal conflict often leaves them grappling with questions of identity and belonging, constantly striving to strike a balance between their heritage and their present reality. Hence, the downfall of the Lo Pan Tong serves as a sobering reminder of the precariousness of moral principles and the challenges of upholding personal integrity under the weight of external pressures.
The rise and fall of the Lo Pan Tong symbolize the struggle between good and evil, as well as the corruption that can infiltrate even the most noble of organizations.
The Lo Pan Tong's ultimate demise serves as a cautionary tale, emphasizing the fragile nature of moral values in a world plagued by power struggles and moral compromises. It warns against succumbing to temptation and highlights the importance of collective action to foster a just and equitable society.
Although the film may not depict the Tongs with complete accuracy in terms of historical events, it skillfully harnesses their representation as a metaphor to delve into more profound and wide-ranging societal matters that were widespread during the 1980s. The tension and struggles faced by the Tongs serve as a powerful reflection of the concerns surrounding the ever-growing economic divide, clashes between different cultures, and the emergence of individualistic ideologies during that era.
Working Class Vs The Exploitive Class
Jack’s profession as a truck driver is particularly symbolic. Truck drivers form the backbone of the import/export industry, yet they often remain unseen and underappreciated. Jack's involvement in this vast system unknowingly connects him to the hidden forces Lo Pan manipulates.
Lo Pan, in contrast, represents the enigmatic power behind the scenes. His control over the Wing Kong Exchange, a seemingly legitimate import/export company, masks his true motives and vast network of influence.
The import/export industry itself becomes a metaphor for the complex global systems that shape our world. Lo Pan's manipulation of these systems highlights the often-hidden power dynamics that operate beyond the reach of the average person.
By placing Jack, a seemingly ordinary truck driver, at the center of the film's conflict with Lo Pan's vast import/export empire, the film effectively creates a microcosm of global economic structures. Jack's role as a transporter of goods becomes symbolic of the countless individuals who unknowingly participate in the complex machinery of global trade.
The film effectively portrays the conflict that arises between the ordinary reality and the concealed domains of authority and impact. Jack's journey serves as a symbol for an individual's endeavor to comprehend and maneuver within these intricate actualities.
Despite the fact that Jack returns to his ordinary working-class job by the conclusion of the film, we are left in suspense as the Chinese mythological wildman entity he encountered in Lo Pan's dungeons continues to pursue him, driven by the desire for revenge against Lo Pan. Others have suggested this was a specific world commentary. Generally, this situation may serve as a reflection that even in the most uncomplicated blue-collar endeavors, one cannot entirely evade the reach of malevolent multinational corporatism, as it inevitably infiltrates one's life.
Many people have perceived Jack's role as a truck driver to be a discreet criticism of the current crony capitalism system and its exploitative characteristics. In this perspective, Wing Kong Exchange, with its extensive wealth and influence, may be regarded as an emblem of corporate avarice and its detrimental consequences on individuals such as Jack.
The Container
I originally asked as a kid viewing the movie if whether Jack inadvertently was shipping for Wing Kong. The movie is vague on this, but there are some interesting clues:
The truck's unseen contents have been interpreted in various ways. Some argue that they represent the hidden desires and ambitions harbored within Jack himself, waiting to be unleashed. (This is especially a powerful metaphor when you consider the beast that attempts revenge at the end of the movie.)
Pandora's Box: Some view the truck as symbolic of Pandora's Box, containing unknown forces and unleashing chaos upon the world once opened. This interpretation aligns with the supernatural elements of the film and the consequences of Jack's involvement with Lo Pan.
Others see them as symbolic of the unknown and unpredictable forces that shape our lives, a reminder that danger and adventure can lurk beneath the surface of everyday existence.
Still others interpret the contents as a commentary on the global trade network, highlighting the obscured origins and destinations of goods that move around the world, often without our knowledge or understanding.
Delivery Destination: In the film's opening scene, Jack is transporting crates labeled "Green Jade Imports" to Chinatown, where Wing Kong Enterprises has a significant presence from San Francisco to Chicago. However, the nature of the cargo remains ambiguous, and the suspicious behavior of the clients raises questions about its legitimacy.
The film doesn't explicitly mention Jack's regular delivery routes, but it's reasonable to assume he might transport cargo to and from Chinatown, where Wing Kong Exchange operates.
Mysterious Contents: The film never reveals the contents of the crates Jack delivers. This ambiguity allows for speculation that they might hold illegal or mystical items related to Wing Kong Enterprises' activities that Jack is unwittingly supposed to deliver.
The Cargo Switch: In Chinatown, the original cargo Jack was transporting gets switched with mysterious crates. While the contents of these crates are never revealed, their sudden appearance and the secrecy surrounding them suggest a connection to Lo Pan's nefarious activities.
Unwitting Involvement: Jack's simple delivery job quickly becomes entangled with the supernatural forces surrounding Lo Pan. This unforeseen involvement suggests a connection between his seemingly ordinary task and the clandestine activities of Wing Kong Exchange.
Visual Clues: Truck's Condition: Jack's truck, the Porkchop Express, appears battered and worn down, suggesting numerous long-distance trips and heavy loads. This could imply frequent deliveries related to Wing Kong Enterprises' import-export business and because he's obviously not a stranger to this area of San Francisco nor most its residents/businesses. I can't think of anything else related to "porkchop" other than Wang having a restaurant and one of the Elementals, IIRC, brandishes two chopping blades like he's about to slice up some pork chops or some other meat.
Wing Kong's Resources: Wing Kong Exchanges' vast resources and connections could explain why Lo Pan is aware of Jack's involvement, even though he appears to be a simple truck driver.
Irony and Subversion: The idea of Jack, an unsuspecting truck driver, unknowingly contributing to Lo Pan's operations adds a layer of irony and subverts expectations. This reinforces the film's theme of hidden forces and the interconnectedness of seemingly disparate worlds. Much like Tongs originally were set out to protect and structure the Asian community but many found themselves devolving into criminal enterprises. In the movie we clearly see a good Tong vs a criminalized Tong.
Economic Critique: If Jack was unknowingly working for Wing Kong Enterprises, again this could be interpreted as a critique of our economic system, where individuals become unwitting pawns in the pursuit of profit and power by corporations. We work and pay taxes to politicians that use that money to suppress us.
Green Jade: Some believe the truck contained valuable green jade coveted by Lo Pan for its mystical properties. This theory connects to the film's Chinese mythology themes and the importance of jade in Asian cultures.
Jade and the Green Eyes
Jade is a powerful stone and symbol within Chinese culture, spcifically where it symbolizes purity, virtue, and immortality. These qualities might also resonate with the prophecy's requirements, making jade a symbolic representation of the ideal possession/sacrifice for Lo Pan.
A portion of the Chinese mythology depicted in the film draws upon authentic historical events. Lo-Pan, a prominent figure in Chinese history, held the status of a "shadow emperor" who was appointed by Qin Shi Huang, the First Emperor. Due to the Emperor's apprehension towards being targeted for assassination, Lo-Pan assumed the throne as a substitute ruler. Nevertheless, Lo-Pan embarked upon an attempt to seize control, prompting the Emperor to cast a curse upon him, condemning him to a state devoid of physical form for a span of two millennia, contingent on his ability to wed a woman possessing jade-colored eyes.
Shadow is emperor is definitely an apt description of Lo Pan. Some believe that jade possesses mystical properties like healing and protection. Lo Pan, obsessed with immortality and power, sees jade as a tool to enhance his magical abilities or even extend his life. But jade also serves as Lo Pan's corporation greed. Jade is a valuable stone, as one of the commodities they deal in. So there is an interest in pure financial gain in trading jade rather than appreciating it for its cultural significance.
This connection suggests that jade and green eyes are not merely separate symbols but intertwined aspects of the same mystical force. They represent a gateway to the afterlife, a key to unlocking Lo Pan's desired immortality.
The focus on green eyes can also be interpreted as a commentary on beauty standards and the objectification of women. Lo Pan's obsession with these women is not based on their individual personalities or qualities, but solely on their physical attributes. Just as one may want to deal with Jade not for the appreciation of its natural beauty and history, but because it in a sense represents a kind of power and is sought after.
Jade Eyes in the Dark Temple
The woman with green eyes, Miao Yin is an interesting name. When trying to find the significance of her name: yin miao (Chinese:陰廟; pinyin: Yīnmiào; lit. 'dark temple') are temples dedicated to wandering and homeless spirits, as opposed to yang miao, which are dedicated to deities. I don't know if that was intentional or not.
This could be implying a link to the realm of the imperceptible and the paranormal. This connection seamlessly corresponds to the cinematic portrayal of Chinese mythology and the malevolent sorcery mastered by Lo Pan. As Miao Yin possesses eyes that hold crucial significance in his immortal ceremony, she inadvertently becomes entwined in this metaphysical realm, rendering the "yin miao" connection uniquely apt.
Symbolically, it foretells both her possible destiny as a sacrificial offering and her inherent affinity with the ethereal realm. In addition to its literal definition, "yin miao" is endowed with symbolic implications of concealed elements and suppressed longings. This interpretation profoundly aligns with the character development of Miao Yin. Despite her exquisite allure and elegance, she finds herself ensnared in Lo Pan's clutches, restricted from wholeheartedly pursuing her own wants and ambitions. She literally becomes that dark temple when she is put in a state of suspended animation where the other characters, save Lo Pan himself, cannot bring her back to life.
The Two Tongs in Name
The Chang Sing Tong:
I translated this as "Rising Star" or "Prospering Business," the name suggests a positive connotation. This aligns with the Chang Sing's portrayal as a benevolent organization dedicated to community support and protection. Their focus on industry and prosperity further echoes the literal meaning of their name.
The symbolic interpretation of the "Rising Star" emblem epitomizes the profound ambition and aspirations harbored by the Chinese immigrant prolateria community, signifying their relentless pursuit of success and their commitment to establishing a firm foothold in an unfamiliar territory. Furthermore, the explicit association with affluence resonates with the Tong's profound dedication to bolstering entrepreneurial endeavors and fostering sustainable economic expansion within their community.
The Wing Kong Exchange:
I translated this as "Eternal Prosperity" or "Everlasting Power," the name suggests a focus on achieving long-term success and dominance. This aligns with Lo Pan's ambitions for immortality and his desire to control the Chinatown underworld through the Wing Kong Exchange.
The interpretation of "Eternal Prosperity" epitomizes Lo Pan's fixation on everlasting life and his unquenchable thirst for authority, symbolizing his aspiration to transcend the constraints of humanity and attain a divine stature.
The interpretation denoted as the "Everlasting Power" indicates a veneer of steadfastness and authenticity, concealing the inherent malfeasance and unlawful undertakings prevailing within the institution. This showcases the duplicitous character of the Wing Kong Exchange, manipulating its public perception to acquire sway and dominion. Just what you would expect from a Shadow Emperor turned Shadow CEO.
Beyond Literal Translation:
Analyzing the Tong names beyond their literal translations reveals deeper thematic connections within the film.
The Duality of Power: The contrasting meanings of the Tong names highlight the film's exploration of the duality of power. While the Chang Sing initially represents positive ambition and community support, the potential for corruption lurks beneath the surface. Conversely, the Wing Kong Exchange, despite its seemingly benevolent name, embodies greed and exploitation.
The Cycle of Conflict: The names also suggest a cyclical nature of conflict within the Chinatown community. The rising ambition of the Chang Sing challenges the established power of the Wing Kong Exchange, leading to tensions and clashes. This reflects the historical reality of power struggles between different Tong factions in Chinatowns across the United States.
The Storms
When Jack Burton first arrives in Chinatown there is a storm taking place. The film opens with an intense downpour, creating a dark and ominous atmosphere. This I think foreshadows the Storms, Thunder, Lightning and Rain, that descend from the stormy sky and begin to slaughter everyone in the street fight. They are essentially the henchmen of Lo Pan as well as the elemental power that he still possesses.
That fact that even the Storms will slaughter the Tong fighting on the side of Lo Pan’s Wing Kong Exchange says something about evil; that everyone in Chinatown in Lo Pan’s eyes is just a pawn in his game.
Ching Dai, the God of the East
Ching Dai is never directly shown in the film, but his presence is felt throughout. Lo Pan's actions, particularly his desire to sacrifice a woman with green eyes, are driven by the need to appease this deity.
The film implies that Ching Dai possesses immense power, capable of unleashing storms and wielding control over the natural world. The three storms that plague Chinatown are attributed to Lo Pan's failure to appease Ching Dai, showcasing the deity's wrath and influence.
Inspiration from Chinese Mythology:
Ching Dai seems to draw inspiration from various figures within Chinese mythology. The association with the East and storms suggests a connection with Dong Wang Gong, the Eastern Emperor who rules over the sun and wind.
Additionally, the demand for a specific sacrifice evokes the legend of Nüwa, a goddess who sacrificed her own body to repair the heavens.
Thematic Significance:
Ching Dai's presence serves to emphasize the consequences of Lo Pan's ambition. His quest for immortality is not without its price, and the wrath of a powerful deity becomes a significant obstacle in his path.
The deity also represents the forces of nature and the balance of the universe. Lo Pan's attempt to manipulate these forces for his own gain ultimately leads to his downfall, highlighting the importance of respecting the natural order.
What is with all the Laughing Buddha Statues?
The fact that there are over several dozen laughing buddha statues is trying to tell us something.
The jovial figures of the Laughing Buddha stand in stark contrast to Lo Pan's malevolent nature. This juxtaposition underscores the irony of his pursuit of happiness and prosperity through dark and manipulative means.
The Buddha's laughter can be interpreted as a sardonic commentary on Lo Pan's ambitions and ultimate downfall. It suggests that despite his efforts, true happiness and fulfillment will remain elusive.
The statues also offer glimpses into Lo Pan's past and connection to Chinese mythology, adding depth and complexity to his character. They suggest a broader context for his motivations and beliefs.
Lo Pan's fascination with the statues reflects his belief in Feng Shui and the ability to harness mystical energies. He views the statues as potential conduits for unlocking his full power and achieving his goals. And notice what happens when all the statues start to knock into each other.
The Laughing Buddha statues embody the happiness and prosperity that Lo Pan desperately seeks. However, their constant presence also serves as a reminder of the obstacles he faces in achieving his desires.
Ultimately, Lo Pan's obsession with the statues can be seen as a metaphor for his own delusions. He believes that manipulating these symbols will grant him happiness and power, failing to recognize the emptiness and corruption within himself.
Budai is the protector of the weak and the poor. When considering the prolateria we can imagine whose side Budai is really on.
That’s all I have for now but if anybody has seen this movie or even the extended fan version leave comments letting us know.
https://ernst-juenger.blogspot.com/2007/10/ernst-jngers-anarch-compared-to.html
Thank you for putting out this piece. The Librarian's work is inspirational to many, and I am glad it positively influenced you as well.
"Jack’s profession as a truck driver is particularly symbolic. Truck drivers form the backbone of the import/export industry, yet they often remain unseen and underappreciated."
From David Lynch's TWIN PEAKS: THE RETURN: "It's a world of truck drivers." https://www.youtube.com/watch?v=3ci3ltuvvl4
When you feel up to tackling an analysis of THE RETURN, please do.